By way of an attempt to persuade Chris B to write a blog post I want to read
Hands up if, when you heard that Stephen Hester had "waived his bonus", you hoped for a second that he'd taken two fistfuls of banknotes and done the nutty-walk from Bishopsgate to Whitehall shouting "OI! LOADSAMONEY!! SHUT YOUR MOUTH!!!". A quick survey at work suggests that it wasn't just me.
The joke was presumably on my mind because an email exchange with Chris a couple of weeks ago about banking and its influence on the wider culture, in which I noted that people often forget when thinking about the "Loadsamoney culture" of the 1980s, that Harry Enfield's character wasn't actually a banker, trader or anything else to do with the financial services industry[1]. He was a plasterer - I think that part of what's going on here is that people were maybe a leetle bit more honest in those days about the extent of public participation in and responsibility for the asset bubble, and partly of course, because of EU expansion, the skilled-working-class element of the prosperity created by the bubble tended to go to people who are a bit more invisible in British popular culture.
I'm probably in a poor position to judge the "culture of traders", because although I know a lot of them, I'm generally regarded as an oddball and outlier (specifically, as someone who doesn't tolerate much in the way of boorish behaviour), and so I probably see a different side of people from what they present to the public. But I think that the people in the Guardian Banking Blog who every week do the line about cocaine and lap-dancing clubs (apparently, nobody in finance bothers with any other drugs, or any other kind of club) are missing the bigger picture. Young men are often kind of fucking appalling, as we all know. Finance employs a lot of them, and pays some of them really well. As a result, they've got quite a lot of visibility, particularly in the Central London entertainment districts where journalists also socialize. I don't think there's much more to it than that, and the TV series Nathan Barley suggests to me that other industries can be just as horrible when they get the chance (certainly, the annoying current of crass sexism and laddishness in modern culture seems to me to be one that can't be blamed on us).
My new employer's offices are on the top floor of the building which contains the Apple Store in London, and two floors below us are occupied by a headquarters building for Apple Europe. Which puts me in the quite amusing position every day of being in the lift (as I come back from buying the second coffee of the day and they are arriving at work), with a bunch of people who employ sweatshop labour in the Third World, who are looking down on the employees of an almost totally herbivorous French stockbroking business (which does no lending or capital market activity at all; we just find you some shares if you want to buy some, and find you some buyers if you want to sell some) because we are the unethical ones. I suspect that there are a fair few Nathan Barleys among them too by the look. But I suppose that this too, is prejudice.
Postscript. Lest anyone think that I an whining, or creating strawmen, see this piece by the New Economics Foundation. Apparently every pound paid to someone like me[2] destroys seven pound of value! The way you get this figure, btw, is to add up all the costs of the crisis in terms of GDP, treat the increase in government borrowing as a cost, then attribute it all to a small group of financial sector executives in wholesale banking. The only consolation is that advertising executives are apparently even worse people, as they destroy GBP11 for every pound they get paid, because of "overconsumption", or something. Weirdly, advertising bods seemed to get more blame from the NEF for "overindebtedness" than bankers.
[1] Although the catchphrase was still occasionally used in the City ten years later, usually in the context of someone who had been given the job of settling a large bar bill, and thus was given the Pavlovian stimulus of holding a large wad of banknotes in his hand.
[2] Actually, someone a couple of levels above me because they restrict it to executives earning GBP1m or above. But having used this smaller population to do their calculation, they are then not at all shy in chucking it about indiscriminately, or allowing it to be cited misleadingly, and in general they do want my income to be taxed at 100% so I think it's safe to say that the NEF regard me as being basically intrinsically socially destructive. Say maybe as bad as someone who worked in advertising, but who had a sideline as a nursery nurse.
That New Economics blog post gave me an inkling of how really, really pissed off some of this stuff has made you.
ReplyDeleteI'm fairly hardline on progressive taxation, and higher income tax rates in general than we have now - I remember the Britain of the 1970s as a place where things generally worked better, more consistently & with less blare and hassle than they do now, and if we could get back there by reintroducing a basic rate of 33% and a top rate of 95% I'd vote for it in a heartbeat.
But taxing bonuses at 100%? Anyone talking like that has really entered the realm of fantasy - either that or they're going down a nasty and stupid political route.
The point about Loadsamoney is interesting; I think I heard that he was based on a real plasterer who did some work for Paul Whitehouse, & I do remember that he didn't get his name until a couple of weeks after his debut - I remember Ben Elton introducing him as "the plasterer". Having said that, people weren't crazy about "city boys" back then either - Loadsamoney was a more sympathetic character, partly because he was earning the money they spent. Really, he was trickle-down economics in action.
Don't worry, the NEF hates Richard J even more than it hates you: ' For a
ReplyDeletesalary of between £75,000 and £200,000 tax accountants destroy £47 of value
for every pound in value they generate.'
Having said that, people weren't crazy about "city boys" back then either
ReplyDeleteIt was a much more complicated relationship as I remember it (or perhaps I just paid more attention to popular culture then). "Opportunities" by the Pet Shop Boys was in many ways the ur-text - obviously nothing Neil Tennant did was ever wholly single-edged, but that song really wasn't *very* ironic and deconstructive about "Let's Make Lots Of Money". Certainly it was well beyond "Born in the USA" in terms of the "should have predicted that this one was going to be misinterpreted" stakes.
I guess a lot of it this time round is simply how much bigger the sums of money are in finance - in the 1980s, "yuppie" as a category including finance, law, advertising and media was a meaningful one. But in the 00s, it was only law that was even nearly keeping up with finance (which in turn, in the UK at least, was choking on the dust of "expropriated foreign natural resources"). I probably miss this one because I've grown up with it.
NEF basically doesn't have any quality-control at all, does it? It's like someone looked at academic economics and decided that what it needed was less intellectual rigour.
ReplyDeleteI'm also increasingly convinced that someone ought to write a left-wing defence of "consumerism". I suspect that describing something as a "consumer" issue is a way of trivialising it, and because the ultimate consumer issue is wages, this is quite important. Further, the implicit distinction between consumers (evil) and producers (virtuous) is stupid; they are the same people, just sometimes they are at work and sometimes they aren't.
And I also think there's an element of sexism - a distinct tendency to identify "producerism" with masculinity and "consumerism" with womanish fripperies. This also works between trades; what is and isn't a proper job (and therefore worthy of employment rights). I was in part trying to get at this in my call centre series.
I propose to replace the "consumer sector" with the "labour sector". I agree in advance that Tony Crosland probably said something similar, but I consider that to be a feature.
See also: students. We've had an enormous amount of drivel about how students "have a consumerist attitude" to their studies, not like us virtuous old 68-ers, nuh.
ReplyDeleteThe evidence is things like "having opinions about the content of courses and the quality of teaching" and "complaining about the squalid halls of residence and the shitty food", and "protesting about having to borrow a ton of money to be here in the first place, unlike my dad/mum/elder sibling".
Seeing as May '68 broke out in Nanterre and Berkeley over the world-historic question of whether you can bring your girlf into your room in halls, I think this is actually quite outrageous.
Where did all the money go in the media, anyway? One year the BBC and C4 were essentially money trees for freelance hacks (money trees zealously guarded by an ever-shifting cast of gatekeepers, but still), the next it all just stopped. It wasn't the Tories or even the credit crunch, because it was starting as early as 2004.
ReplyDeleteThe yuppie thing is interesting in retrospect. There was a definite sense that, if you were lucky, all you'd really need to do would be to put on a suit, charm a couple of people and you'd be in - and you'd be on silly money in a year or two. It started before "Opportunities" - Heaven 17 traded on that image, and Penthouse and Pavement was 1981(!). But I maintain that nobody wanted to be one of those blokes who wore red braces and said "Yah" a lot. (Possibly because we knew deep down that those people did actual work, unlike the fantasy of just swanning around looking cool in a suit in an office somewhere.)
Alex: The evidence is things like "having opinions about the content of courses and the quality of teaching"
Mmmmyeahbutnobut... nah. Maybe another time.
But you're absolutely right about May '68 and 'consumer' issues - the initial student revolt was about having crappy accommodation miles from anywhere and being treated like dirt by the professoriat and doing pointless degrees with no job prospects and alienation and exploitation in general, very much in that order. Erst kommt das fressen, and so forth.
I think part of the trouble is that people have been encouraged to take on an identity as 'consumer' in a luxury-oriented, narcissistic and frivolous way, leading to the "you pay a bit more but it's worth it for the warm glow" politics of ethical consumerism. (For examples, see tomorrow's Guardian. I don't know what's going to be in it, but you can bet there'll be something.) So when a 'consumer' issue is actually a 'not keen on being pushed around and ripped off' issue it doesn't always get recognised as such.
I think NEF is a bit like Matthew Taylor's RSA - that the lack of quality control is as much of a feature as a bug, because (as a rule) the only way to have lots of ideas is to have lots of bad ideas and hope that some gems come through along with the dross. Their "shorter working week" project is actually pretty good.
ReplyDeleteLike Taylor, I'm kind of glad that they exist, but also wouldn't want them to be operating on a much larger scale than they actually are.
Where did all the money go in the media, anyway?
ReplyDeletemaybe I need to do that godawful John Birt post after all ...
Apparently the Golden Age of British Broadcasting was basically financed by Tony Benn's wrong assumption that colour TV would be a luxury good, and so his decision to stick the licence fee up to soak-the-rich levels. In actual fact (see past posts on human beings, tendency of to prefer communications technology to food, generally valid social fact rather than grounds for sermonising), nearly everyone bought one, leaving the BBC with a massive windfall. This set the best-alternative bid for media industry talent & labour, and since ITV licences were notoriously profitable, kept the rewards to capital at merely rapacious rather than actually insane level.
Then gradually, inflation started eroding this, and progressively newer generations of the Civil Service started asking for some vague idea of a justification for why the numbers ought to be what they were.
Birt's other great triumph (apart from making exactly the right call about the Internet, which was really the only big decision for a media executive to get right in that period) was to see this coming, and to introduce "the dawn of any concept of expenses management" to the BBC.
Sadly, this triumph was comingled with the disaster of "a whole load of roll-your-own pseudo-McKinsey Walting" which was the rest of Lord Birt's contribution to management science, including what I think was the first genuine large-scale implementation of the "Playing At Shops" organisational model which has been reproduced in so many public sector contexts despite its conspicuous and immediate tendency to not work in any of them.
This set the best-alternative bid for media industry talent & labour
ReplyDeleteCould you paraphrase? I didn't understand any of that sentence, but I suspect it's this bit that held me up.
Wasn't the Birt At BBC period a bit before the early 00s, which is when I remember the money sloshing around? (Also, C4.)
the first genuine large-scale implementation of the "Playing At Shops" organisational model
My favourite example of this was the effective destruction of the BBC music library by the decision to cost a single access at £25, which was doubtless precisely the right level to cover their notional costs but came in comfortably above the price-point of "Send An Intern To HMV". God knows how many copies of Coldplay's second album there are on windowsills in Television Centre.
Funny thing about Benn and colour TV - I do remember there being a period when colour TVs seemed a bit like quadrophonic hifi or wall-mounted plasma screens, very nice but just a bit... excessive. (It was certainly years before we got one.) But that may just have been because the actual kit was too expensive for them to be a 'normal' purchase.
ReplyDelete"Alternative best bid" - basically, while the BBC was paying good middle-class salaries (and exorbitant piecework and freelance rates), there was no way for ITV to start the steady race-to-the-bottom which has in fact happened in terms of television talent & technicians.
ReplyDeleteNext time ... tell me you're going to do this. Mind you, I have no idea what post you do want me to write, if any!
ReplyDeleteSorry Chris - didn't mean to embarrass you, but I thought it was a really interesting conversation and it's behind the "paywall" - I'll hide this post if I ever put the blog back on the public internet. But I really would be interested in your views on what went wrong post-1980s - I've just finished Karen Ho's book on financialisation, and while it wasn't a very good book, it's an interesting argument.
ReplyDeleteOh I wasn't embarrassed, just bemused. (Though the paranoid in me worried for a second about the possible conversational implication that my posts aren't usually worth reading!). Don't know anything about Karen Ho I'm afraid.
ReplyDeletetbh it's not worth learning anything - she was an anthropologist who worked at Bear Stearns for two years and then wrote a book which looked like it was going to be interesting but wasn't.
ReplyDeletethe TV series Nathan Barley suggests to me that other industries can be just as horrible when they get the chance
ReplyDeleteBarleyism and related Shoreditch wankery was a genuine phenomenon, though more obviously c. 2000 when Brooker was writing TVGoHome than by the time the series was made. My noomeedja friends (some of whom worked with Brooker and Morris on it) have always considered it a web-industry period piece that ended up more a reflection on the culture at The Face / Dazed & Confused / i-D.
(On the noomeedja side, the Beeb was actually a safe harbour for a lot of genuine talent between about 2000-2004, when all the Barleys went back to doing other stuff.)
Loadsamoney was a more sympathetic character, partly because he was earning the money they spent.
He wasn't received that way in the north, at least not in my part of the north. He was the Essex cowboy ("bish bosh", and southerners being, by definition, shit tradesmen) who was coining it in at others' expense through geographic luck, while northern plasterers were either on the dole or taking the Auf Wiedersehen Pet route to Europe and beyond -- making money, but as absent dads whose presents didn't really make up for not being around their kids.
the Beeb was actually a safe harbour for a lot of genuine talent between about 2000-2004
ReplyDeleteI'm interested in the dates. I only wrote for the BBC's various sites in 2002 and 2003, but 2000-4 is almost exactly the period I worked for C4 online (April 2000 to October 2004, with a couple of final jobs in Feb & March 2005). Almost all of it's been taken down now, of course - you'll have better luck finding my back pages from NEWS/400.uk or my WebSphere column for ePro magazine than the stuff I did for the BBC or C4 (which paid less well than the tech stuff & was a lot harder, and some of which I was quite proud of).
By then I'd got a proper job of sorts, and after 2004 the phone pretty much stopped ringing. (It didn't help that I'd pissed off my project lead on the October 2004 job. This is of course number one on the list of things freelances should never, never do: when they say you're as good as your last piece of work, what it really means is that you're as good as your last project lead thought you were.) I pinged a couple of people two years later, when the proper job looked like going west, and it was all changed, changed utterly: the lights were going out all over Web Presence land and there was bugger-all work anywhere. (Unless it was just me, and I really *really* shouldn't have pissed off that project lead.)
Re Loads, he was certainly a figure of fun, and I don't think anyone thought he was an example of the dignity of labour ("bosh bosh, shoom shoom, loadsamoney!"). But I don't think he was a hate figure in the way that OK-yah types in red braces were (do I mean OK-yah, or am I conflating city boys with Hoorays?)
And I also think there's an element of sexism - a distinct tendency to identify "producerism" with masculinity and "consumerism" with womanish fripperies.
ReplyDeleteIn my experience, criticisms of consumerism are far more likely to be made by women than men. Also the targets are as likely to be male "toys" (cars, xboxes, branded trainers) as female "toys" (Gucci handbags, throw pillows). So I don't think this argument stands up to analysis.
This also works between trades; what is and isn't a proper job (and therefore worthy of employment rights). I was in part trying to get at this in my call centre series.
Eh? There's been a huge campaign fighting for employment rights in "female" employment areas which has been going on for a number of years now. The problem is that it has been far easier to casualise and disempower people working in these areas through a variety of employer techniques (which was indeed the point of them).
I think there's a valid critique to be made of the 'category' consumer (not to mention the way in which we have slipped from being 'customers' to 'consumers' - the latter being rather more passive). Living in the US, certain types of consumerism can be rather obscene, if only from the environmental impact. There's also the ways in which it has replaced all other forms of social organisation. Not hard to see who benefits from that, or how it fits into neoliberalism.
On the other hand, I think in the absence of unions (they're not coming back in any serious way), 'consumer unions' might be a way of building counter-veiling forces to the corporatist hegonomy. Much of the anger in the US at the moment is a (totally valid) consumer anger against banks, and various monopolies.